A first look at which movies will be heading your way this holiday season. Coming Friday, November 7 is the animated film "'Madagascar: Escape 2 Africa." The lovable Central Park Zoo animals in "Madagascar" leave New York City for Africa and see other critters like them for the very first time.
Friday, January 1, 2010
Holiday movie Photo
A first look at which movies will be heading your way this holiday season. Coming Friday, November 7 is the animated film "'Madagascar: Escape 2 Africa." The lovable Central Park Zoo animals in "Madagascar" leave New York City for Africa and see other critters like them for the very first time.
Nine Movies with Singing Throughout That are OK to Like if You’re a Dude
Real men don’t like movies with singing in them, right? Well, not necessarily. There’s a bunch of movies out there with singing throughout that are actually pretty cool. I’m not sure if they are considered “musicals” or not, but there’s no need to deal with semantics. Maybe the concept of the movie itself is great, or maybe there’s a tune or two that you can’t help but sing along to (privately, of course), but in any case, here are nine movies with singing throughout that it’s okay to like if you’re a dude:
1. Crybaby (1990)
Why It’s Cool: Johnny Depp plays a rebellious Drape, shocking and offending the Squares that live in Baltimore. It’s always fun to see a crew of rebel bad asses terrifying the uptight masses.
Best Scene: Pretty much anytime Drapes kiss each other, flailing their tongues around in each other’s mouths.
Best Song: “King Cry-Baby” - Johnny Depp channels Elvis and rocks out with a big rebel flag displayed behind him, effectively moistening various va-jay-jays in the audeience.
2. Sweeney Todd: The Demon Barber of Fleet Street (2007)
Why It’s Cool: An insane barber, played by Depp, hacks and slashes his customers with a razor and turns their remains into meat pies with the help of Ms. Lovett, played by Tim Burton regular Helena Bonham Carter. Sacha Baron Cohen also appears and steals every scene he is in.
Best Scene: Todd’s murder of the corrupt Judge Turpin, played by Alan Rickman. Nice and bloody, just how I like it.
Best Song: “The Worst Pies in London” - Johnny Depp is great, but he’s not a terrific singer by any stretch. Helena Bonham Carter, though, is pretty good, and she delivers this tune quite well.
3. The Wizard of Oz (1939)
Why It’s Cool: Judy Garland teams up with a brainless scarecrow, a heartless tin man, and a cowardly lion in a quest to find the Wizard of Oz. Along the way, they encounter a city of Munchkins, flying monkeys, and a wicked witch. Groovy.
Best Scene: When the Wicked Witch of the West sends off her gang of flying monkeys. Those things are awesome.
Best Song: “Somewhere Over the Rainbow” is the most famous and memorable, but for me, nothing beats the Scarecrow spazzing to “If I Only Had a Brain.”
4. South Park: Bigger, Longer, and Uncut (1999)
Why It’s Cool: Come on, it’s South Park. The boys try to stop the execution of Canadian stars Terrance and Phillip so that Satan (and Saddam) don’t take over the world. Also, lots of cursing.
Best Scene: Probably anytime Saddam objectifies Satan and treats him like nothing more than a big red cum dumpster.
Best Song: There’s a lot to choose from, but “Uncle Fucka” by Terrance and Phillip takes the cake.
5. Willy Wonka and the Chocolate Factory (1971)
Why It’s Cool: This movie is Gene Wilder at his best. As Wonka, he gives a tour of his legendary chocolate factory to children who were lucky enough to find a golden ticket in the wrapper of a Wonka Bar. All the children, except for Charlie, meet horrible fates, and Wonka doesn’t really seem to give a F.
Best Scene: The terrifying ferry ride through the tunnel in Wonka’s factory.
Best Song: Spoiled Veruca Salt’s rendition of “I Want it Now.” The little bitch thinks she’s entitled to anything and everything. The Oompa-Loompas are good, but they can’t touch Veruca.
6. The Nightmare Before Christmas (1993)
Why It’s Cool: Monsters, skeletons, ghouls, and the like are brought to life via stop-motion photography, creating the surreal, creepy world of Halloween Town.
Best Scene: Jack Skellington’s climactic rescue of Sally and Santa from the evil Oogie Boogie, a charcter just slightly more offensive to blacks than Jar-Jar Binks.
Best Song: “What’s This?” which is sung by composer Danny Elfman. Talented dude, that Elfman.
7. Little Shop of Horrors (1986)
Why It’s Cool: Seymour Krelborn, in exchange for money, fame, and a chance at Audrey, feeds people to his talking, singing plant. Plants eating people = rule.
Best Scene: When masochist Arthur Denton, played by Bill Murray, reaches orgasm as a result of Orin Scrivello drilling his teeth. “You are something special! You are something special!”
Best Song: I love Steve Martin’s “Dentist,” but the recently departed Levi Stubbs’ performance of “Feed Me” is filled with soul and sets the tone for the rest of the movie.
8. The Lion King (1994)
Why It’s Cool: This movie is Disney at its finest, with great animation, voice acting, music, and even action throughout.
Best Scene: The last scene of the movie, where the mandrill Rafiki presents Simba’s newborn cub to the Pride Land for all to see.
Best Song: “Hakuna Matata,” an anthem for those who stop giving a sh*t and just want to live in the moment.
9. Grease (1978)
Why It’s Cool: High schoolers racing cars, dancing, and trying to get laid during their senior year — what’s not to like about that?
Best Scene: When Danny Zuko reunites with Sandy at a night time school event and - because he’s hanging with his boys - acts like a total dick and pretends he doesn’t really care.
Best Song: Danny and Sandy’s duet of “Summer Nights,” setting up years and years of drunk couples belting out the lyrics at Karaoke bars.
I love musicals! Check me out in the Puma shirt!
The Heroes Journey and Film
What these movies tell us about the collective consciousness of the majority of our human population is that the heroes journey resonates with our species. The majority among us want to see stories where heroes partake in fighting in and then ending epic battles between good and evil. What this usually entails is a massive series of unfortunate events that lead to a worst case scenario the hero must overcome. The paradox is that we want to see good defeat evil but evil is needed so that good can be tested, fight and eventually triumph in the end. The harder it is for the hero to do this, the greater the capacity of the audience to enjoy the story. Artists are considered the myth makers of our day and thus, students of the heroes journey. In order for filmmakers to make new myths that resonate with audiences, they have to understand the subtle details that build the most attractive heroes journey, capturing the imagination of the masses. These stories tap into the human hunger for a larger purpose to life by being connected to forces greater than the self. Furthermore, ordinary people love stories of ordinary heroes becoming extraordinary. If it can happen to them, it can happen to anyone. Some examples of unassuming and unlikely heroes from our movies: Frodo a country boy from the Lord of the Rings, Neo, an office worker in The Matrix, Luke, a farm boy in Star Wars, Ellie a loner scientist in Contact, Peter Parker, a nerd along with Harry Potter. These are ordinary characters who become extraordinary. The heroes journey or mono myth, transcends race, economics, culture and religion. It taps into our primordial being. Theaters help facilitate this in darkness where a projector's light flickers on the screen much like our ancestors experienced the flicker of the campfire light on their faces during story telling sessions. Story telling is an art that captures the response of our humanity to the dramas of life. This has always been the inspiration behind our movies. All over the world, there are millions of real dramas unfolding, all worthy of the theater but only need artists and story tellers to capture them in a format presentable for the big screen. Some examples of our movies inspired by real events: Malcolm X, A Beautiful Mind, Jerry Maguire, Titanic, Schindler's List, Sea Biscuit, October Sky, Amadeus, The Elephant Man, Remember the Titans, Gandhi, American Splendor, Hotel Rewanda, Antwone Fisher, Kundun, etc. Do the highest grossing dramas we like to see on the big screen have something to do with the dramas we create for ourselves in the world? In the drama going on now, America is presented to us as hero facing a great sinister axis of evil. After viewing the devastating destruction of the World Trade Center during 9-11, many thought the news footage felt unreal; like it was just a scene from an action packed Jerry Bruckheimer movie. Are the tragedies that unfold in the world just giving us more of the same thing we like to see in our movies; a massive series of unfortunate events that lead to a worst case scenario the hero must overcome? We are all actors in this massive cosmic drama. Our eyes are like super high definition cameras giving us a perfect seat in the everyday action of our lives. The dramas that play themselves out for us are formed by written and unwritten scripts shaped by ourselves and society. The scripts our culture have been following, are setting the stage for a great test humanity must undergo as collective hero. The full capacity of the human spirit must respond in order to avert the disaster outlined by our prophetic scripts, moving us towards a drama with a worst case scenario in our near future. One of the most well known examples of these scripts we are taught in the west, is the Biblical paradigm. In it, the human race as we know it, is a doomed entity. The worst in our nature manifests through our reckless leaders who compel us to wage a final battle of apocalyptic and cataclysmic proportions. The only hero who saves us from ourselves is a super Jesus who returns to unite the world and establish a new kingdom of eternal peace because we utterly failed to do this on our own. |